Eine neue Sammlung von Reggie Oliver ist immer ein Grund, glücklich zu sein. Auch wenn ich hoffe, dass sie besser wird als die letzte, die mich als allererste Sammlung von ihm nicht zur Gänze überzeugen konnte (was vielleicht auch einfach an den auschweifenden Theaterthemen lag).
This is the eighth volume of stories by Reggie Oliver to be published by Tartarus Press and marks the fact that we have published over one hundred of his tales. Oliver’s work is notable for its style, wit, humour and depth of characterisation, and also for its profound excursions into the disturbingly bizarre and uncanny. Behind a façade of classical elegance his stories consistently defy convention.
‘The Crumblies’ is a haunted house story, but is the house haunted by the dead, or the living? A retired civil servant is tormented by guilt, but is it guilt about a real, or an imagined event? In the title story, why are the inhabitants of a high-class brothel so terrified by a client who just likes to throw jam tarts at them? In these and other mysteries, we are taken to a farmhouse in the Dordogne, a Suffolk ‘Rehab Clinic’, a private island in the Thames, Victorian St John’s Wood, the Edinburgh Festival in 1979, and many other unusual destinations.
Contents: ‘The Old Man of the Woods’, ‘Coruvorn’, ‘The Wet Woman’, ‘A Maze for the Minotaur’, ‘Shadowy Waters’, ‘A Fragment of Thucydides’, ‘The Crumblies’, ‘Monkey’s’, ‘Collectable’, ‘Via Mortis’, ‘A Cabinet of Curiosities’, ‘The Armies of the Night’, ‘A Tartarean Century: Author’s note’.
A Maze for the Minotaur by Reggie Oliver is published as a hardback of 340 pages, printed lithographically, with head and tailbands, and d/w.  450 copies.
Signed, limited edition hardback: £40.